michael gallucci


In Uncategorized on 07/21/2009 at 3:34 am

Patrick Wolf

The Bachelor


The Bachelor is a barely there concept album about love, doubt and all those other traumatic things that pop up when the two are combined. It was originally supposed to be a double album, but British multi-instrumentalist Wolf trimmed the content, retaining songs that have titles like “Kriegspiel” and “Theseus.” (He’s planning a sequel consisting of the leftover tracks). Wolf has always been an ambitious type, loading his records with loads of skittering synths, baroque flourishes and bombastic vocals. On his fourth album, he throws his ambition into overdrive. “Hard Times” sounds like one of those early-’80s new-wave epics Ultravox recorded. “Oblivion”’s stabbing strings end up hijacking the entire melody. And “Damaris” is a kitchen-sink ballad complete with a choir joining in on a “rise up” chorus. But Wolf’s overstuffed cuts start losing their balance about halfway through The Bachelor. There’s only so much violin-, choral- and electro-speckled ornate pop you can cram onto a CD before it reaches a breaking point. –Michael Gallucci


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s

%d bloggers like this: